ColorĬome on, don’t pretend that the look of your peripheral isn’t important. While I wouldn’t call the S1500 or S1500M a big scanner, it is clearly not as mobile as the S1300.Īside from size and weight, the ScanSnap S1300 has the ability to run off a USB port’s power, so you theoretically don’t even need to take your power adapter with you. That may or may not make the price difference worth it to you. If you’re paying attention, you’ll notice right off the bat that the S1300 does not include Adobe Acrobat. ABBYY FineReader for ScanSnap (Windows and Mac).The ScanSnap S1300 includes the following software: The ScanSnap S1500M includes the following software: The ScanSnap S1500 includes the following software: It is designed to be used both on Windows and the Mac, and comes with all the software for both. It does not include the extra software (including OCR software) for Windows.įujitsu is calling the S1300 their first “hybrid scanner”. However, it does include Windows drivers and can be used to scan on a PC. It does not include the extra software (including OCR software) for Mac. However, it does include Mac OSX drivers and can be used to scan on a Mac. The S1500 is designed for Microsoft Windows. (1.4kg).īoth versions of the ScanSnap are compact, and I am not sure that this category has a “winner” per se, but the S1300 is quite a bit smaller and lighter than the S1500 series. Otherwise, the limited capacity of the S1300 is going to get pretty annoying. If you are regularly scanning more than 10 sheets at a time, you will probably want to pick up the S1500 or S1500M. CapacityĪgain, the S1500 is a pretty clear winner. If you are doing a large amount of scanning, you will probably want to go with the S1500 or S1500M. S1500/S1500M: Up to 20 pages per minuteĬlearly the S1500 series has the edge here.I decided to put together this blog post for me to point people to, so here is a rundown of the differences between the ScanSnap models. Uninstall and Install ScanSnap Manager again.I get asked this question quite a bit: “What is the difference between the Fujitsu ScanSnap S1300 and the ScanSnap S1500 series?”, and then the logical followup: “Which should I buy?”. Reconnect the USB cable to the computer.Disconnect the USB cable from the computer.If the ScanSnap used to be connected to other USB ports, connect to each of those ports and repeat these steps: Once in Device Manager, right click > or > [Uninstall}.įor Windows 8.1, Select the Down Arrow icon on the lower left side of the Start Screen > under >. Connect your ScanSnap to the computer, and turn on your ScanSnap.įor Windows 10, right-click the menu, and select.Press the button under to see whether it solves the problem.ĭelete the device driver to see whether it solves the problem.įollow the steps below to delete the device driver:.If the message "The recommended priveleges have been applied." appears, turn off your ScanSnap, wait for 5 seconds, and then turn it on again. *To run ScanSnap Support tool, go to the menu >. Turn off antivirus software and try again.ĭisconnect any other USB devices (printer/scanner/external hard disk) and try again.Ĭonnect your ScanSnap to a computer and follow the steps below with ScanSnap support tool. If your ScanSnap is connected via a USB hub, try connecting your ScanSnap directly to the computer via the USB cable. Make sure the scanner is powered on and the top is open.If the icon status does not change, unplug the USB cable from the computer or your ScanSnap, wait for 5 seconds, and then reconnect the USB cable. Turn off your ScanSnap, wait at least 5 seconds and then turn it on again. Try the following steps to establish the connection: If the appearance of the ScanSnap Manager icon in the task tray is as follows, your ScanSnap and computer are not connected properly.
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Another common option includes having an icon. The underline should always be persistent, not solely on hover. The easiest way to provide non-color link indicators is by underlining links. Links that appear in menus, for example, are clear enough because of their place in a layout. This concern applies most to links that appear alongside or within blocks of text. In general, pages should have some non-color away of conveying links. But, color differences alone are not sufficient for accessibility. Color differences help sighted users, especially users with cognitive impairments. Giving links a different color from the surrounding text is common on the web. Either select one element to be the link, or wrap all elements within one link. Assistive technology users may find navigating through several links a bad experience. One common design pattern is for an image, a heading, and a word like “More” to each link to the same destination, such as in a news list. Pages should not present more than one link to the same destination next to each other. Treat image links as links, not as images. The alt text should not describe the image. If an image functions as a link, the image must have alt text that conveys the location and purpose of the link. In general, content editors should avoid using images as links. These approaches create a worse experience for users with disabilities, so they should a last resort. You may give more context through the link’s title attribute.The link together with the surrounding sentence, paragraph, or list item should be enough to convey a link’s meaning or purpose.In those cases, a few fallback strategies are available: Occasionally, it may not be possible to make link text alone convey the link’s purpose out of context. When linking a URL, consider users who must speak it out loud and who must listen to a screen reader announce it. It is OK to link a full sentence, but avoid longer.Speech recognition software users may have a bad experience with duplicated link text. Avoid link text like “Click Here,” “More,” and “Read More.” These kinds of links can be confusing when a screen reader reads them out of context.Link text should also be unique and easy to speak out loud.Ĭonsider these guidelines when writing link text: The link text alone should convey the function and purpose of the link. It’s most important for link text to make sense without the surrounding sentences or content. Users who are not comfortable with technology may also appreciate having links underlined. Adding underlines or other non-color indicators help users who may not see color. Typically, pages present links as a different color than their surrounding text. For such users, it is very important for them to see which item has focus at all times.Ĭolorblind users may not be able to perceive color cues. They use a keyboard’s tab button to navigate through a page’s links, buttons, and form inputs. Keyboard-only users may not be able to use a mouse to click links. Users can speak the text of the link that they would like to follow. Speech recognition software allows a user to avoid using a mouse. In that case, a screen reader may only read the link text and not the surrounding text. While screen readers can read a full page to a user, screen reader users may prefer to instead listen to a list of links. Combine Adjacent Links into a Single Link.Download the Link Accessibility for Content Editors training slides. Bobobo-bo Bo-bobo: The evil Empire's plot was to shave everyone's head bald, though this is played for laughs.because the very vain Yumichika was left with a Funny Afro (he uses a wig to cover it up). It's also a call back to Yumichika's fight with Ganju, who knew he was weaker and less skilled than Yumichika so tossed a firework at Yumichika's hair which won him the fight. It's implied Yumichika did it deliberately in an attempt to make Charlotte release sooner rather than later - it worked. Ayasegawa Yumichika's attack on Charlotte Cuulhuorne's hair is enough to make Charlotte go to his released form, despite already dominating the fight.After Tatsuki saved her, Orihime vowed never to cut her hair again as a symbol of their friendship. During junior high (and before her brother's death), Orihime used to be tormented by other girls who cut her long reddish brown hair since they didn't like it.The next day, the boys see the girl with her pretty, new haircut, and blush. After the boys are gone, Kiri steps in and offers to give the girl some "magic". Happens in the opening of Beauty Pop, where a group of boys bully a girl by cutting her hair and calling her "ugly". In Basilisk, Yashamaru gets his long hair cut off during a battle.Tomo explains that her lofty ideas for beauty were a little too high and she just wanted something shorter. Worried that she might have had a falling out with a boyfriend, she asks Yomi. As their third year in high school starts, Chiyo-chan spots Tomo with short hair, having spent their first two years with shoulder-length hair. Levi gets so pissed off that he goes out, looks for the culprits and murders them. In Attack on Titan's Spin-Off manga centered on Levi, he once finds out that his ill-fated younger sister Isabel has been beaten up and had one of her Girlish Pigtails hacked off.Might come up if the story touches upon The Topic of Cancer. If this gets Played for Laughs then it's a Gag Haircut though it does overlap with this since it can still be traumatic for the character. See also Scars are Forever and Beauty to Beast for the grisly body part version, as well as the milder and more comedic version, Nobody Touches the Hair. In modern tales, it can be an emotional anchor that when cut off renders a hero vulnerable and powerless.Ĭompare Important Haircut, where it is often self-induced to indicate a change in values or goals, and Expository Hairstyle Change for when there's any hairstyle change that also indicates a change in character. To women, this may be traumatic due to the belief that Long Hair Is Feminine.Ī minor subtrope involves having long hair being the source of a hero's powers, or rather, commitment to obey God's command for you personally not to cut it. Thusly, having it forcibly cut off isn't just a minor fashion faux pas, but akin to rape and is likened to having your life stolen from you.įrom another view, a forced haircut serves as the symbolic initiation of worse things to come. Hair is not merely a possession or a symbol, but a part of a person's physical body. Whether it's good or evil, a person's hair comes to symbolize honor, social status, and otherwise serves as a human peacock tail, representing a life rather than a fashion statement. Jewelry? Vast wardrobes? Footwear? Cosmetics? None of them are the most prized possessions for some societies and individuals instead, it's. He said he had already rejected the triumphalist Another One Bites the Dust but did seek clearance to play Atomic Kitten’s Whole Again - which became a hit among supporters at the last World Cup who changed the chorus to, “Southgate you’re the one, you still turn me on, football’s coming home again”. “If it ain’t broke, don’t fix it,” proclaimed Mr Perry, who revealed he had been inundated by requests to add other classics to his set list. The DJ said he was reeling from the response - “What the hell is going on?!” - and that his friends had been putting money on the song to reach No 1 if England went on to win Euro 2020.Īfter they thrashed Ukraine in Rome on Saturday, and beat Demark 2-1 to reach the final against Italy, S weet Caroline will take centre-stage again on Sunday. The Telegraph pulled it out the bag there.” Mr Perry said: “That was absolutely magic for him to do that. “If the atmosphere’s that special, you’ve got some really experienced directors and fan TV crew who are like, ‘You need to let this reach fever pitch’.” “The chorus was only 30 seconds on the version I was using so I kept dropping it back in. “The crowd just went berserk,” Mr Perry told Telegraph Sport, revealing how he and Tom Howie, his match director, whipped Wembley up into even more of a frenzy. Protocol dictated Three Lions had to be played first - that has long been designated the team’s official victory song - but despite having Vindaloo lined up immediately afterwards, the moment simply demanded Sweet Caroline usurp it. And when he gave it a second airing after the game, an England anthem was born. So he sought approval to introduce Sweet Caroline ahead of the team’s historic last-16 win over Germany, something that was duly granted.Īfter playing it pre-match on Tuesday and seeing both sets of fans joining in, Mr Perry knew he had a hit on his hands. Yet, it can be revealed that Sweet Caroline would have gone completely unheard during the Three Lions’ matches at Wembley but for a light-bulb moment from the stadium’s DJ, Tony Perry.Įvery song played at Euro 2020 games requires the approval of tournament organisers and the 1969 Karaoke classic was not on the list originally agreed with Mr Perry when the competition began.īut after experiencing the atmosphere generated by crowds attending England’s group matches, the London DJ, 34, felt something was missing from his set that would get the whole of Wembley singing along. When that song became a breakout Top Five hit, Uni added it to later pressings of the album.It has become the soundtrack to England’s march to the brink of European Championship glory, with even Neil Diamond giving it his seal of approval. Normally, Uni would have been expected to pull another couple of songs as singles, but instead Diamond quickly delivered a new single, "Sweet Caroline," within two months of the LP's appearance. But Diamond may have been aware that the material was mostly second-rate. (The arrangers tried to hide this sketchiness behind strings, horns, and female choruses.) His ballads seemed more considered, making songs like "And the Grass Won't Pay No Mind" (a Top 40 hit for Mark Lindsay in 1970) the album's strongest. Diamond seemed to write on the guitar, and sometimes his up-tempo numbers didn't get much beyond the stage of being basic rhythmic strums, a rudimentary melody, and a few catch phrases. At times, the album betrayed the speed with which it had been put together, with songs like "Dig In" and "River Runs, New Grown Plums" coming off more as unfinished sketches than developed compositions. On it, the singer/songwriter to a certain extent followed the lead of the gospel-tinged hit, a tribute to a rural evangelist, by giving a country feel to the arrangements of such songs as "Long Gone," "Glory Road," and even the novelty "You're So Sweet, Horseflies Keep Hangin' 'Round Your Face," which, with lines like "You're more loyal than my dog Sam/And twice as pretty," was really a country parody. Naturally, Diamond quickly assembled an album to support the single, and it was released the following month. Although he managed to place three singles in the charts after joining Uni Records in 1968, Neil Diamond did not achieve a real hit record on the label until March 1969, when his fourth Uni single, "Brother Love's Traveling Salvation Show," got into the Top 40. You can start the bulk validation process by uploading a CSV file (one email address per line, detailed instructions for Excel users) with a maximum size of 250MB (split larger lists into multiple files). How do I validate email addresses from Excel or a CSV file? For each email address, we provide a detailed email validation status that shows you exactly the reasons why an email address is valid or not, so that you can fully understand the results and take appropriate action.īulk Email Verification FAQ How do I validate email addresses from a database, Customer Relationship Management (CRM) system or Excel?ĭatabases, CRM systems and Excel are capable to export data to CSV (comma-separated values) files - please see the answer to the next question for instructions on how to upload a CSV file for validation. To match a result to a record in your database, you can merge the results with your input data when downloading the results. You may choose to download valid and invalid addresses as separate files. Detailed Bulk Email Verification StatusĪs soon as the bulk validation process is finished, we send you an email and you can download the results. We guarantee that during the entire verification process at no time will an email be sent to the respective recipient address. Automatic retries for unavailable servers.Automatic retries for greylisted addresses.SMTP connection and availability checking.Disposable email address (DEA) detection.DNS validation, including MX record lookup.Syntax verification (IETF/RFC standard conformance).Our Email List Validation process includes all of the following checks: The free trial is limited to 1,000 email addresses. Enter a name for the file and choose "Unicode Text (*.txt)".You will automatically receive 1,000 free validation credits for your new account.Ī sample input CSV file is available here.Įxcel files must be exported to CSV first: Register for Your Free Email Validation Account! To be able to use this website, please enable JavaScript in your Web Browser. Upload your email list as plain text (.txt) or as comma-separated values (CSV) file - one email address per line, CSVs with ' Email' as column header. Upload Your Email List Bulk Email Verification: How To Check If Your Email List Is Valid With our Bulk Email Validation service, cleaning an email list is very easy: just upload your email list here - the first 1,000 email address validations are FREE! You no longer have to check your emails one by one, so if you run an email marketing agency, call center or lead generator, our Bulk Email Verifier tool is exactly what you need to get high quality leads. Email list verification & cleaning maximizes the efficiency of your email marketing campaigns and protects your email sender reputation. Like a picky eater, a user can choose to refuse any and all installs that seem to request permissions beyond what an app truly needs. Sure, you can request any scope you want-but final say always resides with the user installing your app. Otherwise, it's bot tokens all the way down. If you require access to RTM (say, because you're building your app behind a corporate firewall), you'll need to create a classic Slack app and use its bot token to call rtm.connect: New Slack apps may not access RTM For most apps, the Events API lets your app listen to Slack goings-on in a more structured, safe way. In that situation, you'll need a User Token. One notable exception to that rule is if you need to act as a specific user (for example, posting messages on behalf of a user, or setting a user's status). If you're confused about the difference between adding a Bot Token Scope or a User Token Scope, worry not:Īdd scopes to your Bot Token, not your User Token. It'll allow your app to post messages! While you're at it, add the channels:read scope so your app can gain knowledge about public Slack channels. Scroll down to the Scopes section and click to Add an OAuth Scope.įor example, try adding the chat:write scope to your Bot Token. You can select the scopes to add to your app by heading over to the OAuth & Permissions sidebar. Scopes give your app permission to do things (for example, post messages) in your development workspace. Preheat the oven and ready your app for action by requesting scopes. Don't fuss too much over either field-no matter what workspace you select, you'll still be able to distribute your app to other workspaces if you choose. If you haven't already, create a new Slack app with our easygoing UI:įill out your App Name and select the Development Workspace where you'll play around and build your app. So let's get cooking, starting with the first ingredient: creating an app. New Slack apps are safer for users to install, less prone to unexpected uninstalls, and even have new features not available to classic apps. This guide walks you through making a new Slack app using the Slack App Management UI.īy the end of this guide, your app will be poised to post messages, make response to mentions, and even use classic recipes like Slash commands and incoming webhooks. Using Slash commands and Incoming Webhooks.If you're an experienced chef, already familiar with seasons of Slack apps past, check out this quickstart guide that explains exactly what new ingredients have arrived to apps. We'll teach you how to craft a new Slack app from the ground up. This guide is for developers who've never followed a Slack app recipe before, but want to cook with the latest ingredients from the Slack platform. The top portion of this layer, or apical cap, becomes the brain. The outer layer of the initial sphere will become the nervous system, in analogy with the ectoderm. These deformations, combined with the variables of segmentation, thickness, and elasticity, determine the phyletic form created as the membrane curls inside its original sphere and grows as an embryo. As the membrane involutes (turning inside out) at the blastopore, folds, ripples, and grooves are formed. The thickness and elasticity of the lipid membranes are parametric variables in the mechanically driven process that determines the possible paths toward the eventual form. It is the mechanical events of gridding and gastrulation that determine the resultant forms of the embryo and eventual adult. The lipid membrane blastula, a hypothetical multilayered gridded sphere, goes through the process of gastrulation, becoming the embryo. Additionally, it accounts for the sequence through which the multilayered egg undergoes gastrulation and becomes the now inside out multilayered body with the nervous system as the innermost layer. It also accounts for the spatial interaction between the formation of the brain, spinal cord, and nerves with the corresponding formation of vertebrae and skull. This model accounts for the formation of the lobes of the brain, the spinal cord, and the spinal nerves. In this way the regions of the brain are mapped by the creation of “fate maps” identifying the regions of the egg that originate the regions of the brain. Here, the architecture of the mature brain is traced back to its pregastrulation state, a hypothetical gridded sphere. The physical, topological, and fluid mechanisms of the blastula surface during gastrulation produce the eventual forms of the organism. The mechanical algorithm reported here is the continuation, if not completion, of the Entwicklungsmechanik movement. Notably, Wilhelm His (called “the father of human embryology”) made experiments with the mechanical deformation of rubber bladders and tubes that mimic the shapes of the brain (His 1874). A serious attempt to account for its shape was made by the Entwicklungsmechanik, or developmental mechanics movement of the late nineteenth century. The history of the study of the structure of the brain began with the sixteenth century anatomists from Leonardo da Vinci and Vesalius to Eustachius and Fallopius who successfully described the organ in detail. The first step of embryogenesis is gastrulation, where blastula is pressed to enter its own interior, pulling the surface inside out, forming the embryo. The hypothetical model is in close analogy with nature: the blastula is a segmented gridded sphere which results from the subdivision of the egg. This paper proposes a hypothetical construction based on the discovery of a simple algorithm which generates topologically the form of the brain, the spinal cord, and the vertebral column by the deformation of a gridded segmented sphere by the inversion of its surface. Neurology does not teach how the brain gained its shape, nor have any causative theories of brain formation been published in recent times. But morphogenesis, the origin and cause of these forms, has not been studied since the last half of the nineteenth century. The morphology of these organs and the observed steps of neural development are well described, consequent of centuries of study. This paper reports the discovery of a geometrical algorithm that provides a coherent step by step mechanical account of the structure of the nervous system, including the vertebrate brain, the spinal cord, the vertebral column, and the spinal nerves. At least, this is what I personally take away from the reading of Robert Frost’s The Road Not Taken. ” In this poem there is no judgment, no specificity, no moral but simply a narrator who makes a decision in their life that affects the rest of its course. “I took the road less traveled by and that has made all the difference. The traveler, however, remains proud of the decision and recognizes that it was the paths chosen that made life turn out the way is has. He or She realizes that at the end of life, “somewhere ages and ages hence”, the speaker will have regrets about having never gone back to explore the road not taken. ” At the end of The Road Not Taken, regret hangs over the traveler. The desire to travel down both paths is expressed and not unusual, but the speaker of this poem realizes that the decision is not just a temporary one and “…doubted if I should ever come back. This may be because of a feeling of unhappiness that was experienced by copying the actions of those before him or her, instead of making an individual decision. When the traveler finally decides, the lines: “Then took the other, just as fair And having perhaps the better claim Because it was grassy and wanted wear,” possibly describe the speaker’s innate desire to not necessarily follow the crowd. The speaker realizes that much like anyone making any kind of decision, their destiny cannot be seen, only the choices they can make. “And sorry I could not travel both And be one traveler, long I stoodĪnd looked down one as far as I could To where it bent in the under growth ” As much as he or she may strain his or her eyes to see as far as the road stretches, eventually it surpasses his or her vision and he or she can never see where it is going to lead. In an attempt to make a decision, the traveler looks down one road as far as he or she can. The road that will be chosen leads to the unknown, as does any choice made in life. Frost begins The Road Not Taken by creating a mental image of a traveler stopped at a fork in a path, much like a person who is trying to make a difficult decision. The poem simply takes a satirical look at the uncertainty of having to make choices at all, but one might argue that it urges readers, not to forge new roads, but to take pride in the ones they have already chosen. Many scholars believe that Frost was too ambivalent in his descriptions of the two roads, and have therefore challenged the existence of a less traveled road. From Javascript errors to HTML errors, plugins, CDN issues, and SSL websites are prone to multiple errors. Websites have a lot of technologies behind them that can go wrong. Why do websites need an anomaly detection system? The AI and ML engine also predicts future trends based on these observations. Based on these insights, it identifies when there is a deviation from the observed behavior and notifies you about it. The AI and ML engine studies behavior over a prescribed period to understand regular patterns. How does AI and ML help in anomaly detection? It is critical in areas where anomalies are less likely to happen and when recurring patterns are not easy to monitor without proper anomaly and threshold-based alerting in place. With IT monitoring, anomaly detection is when a metric behaves differently when compared to how it generally behaves or how it behaved in the past.Īnomaly detection takes into account seasonal trends including certain times of day, days of the week, and months of the year during which any deviation from the norm is typical. It could be an indication of a technical glitch or a potential loophole for attacks. What is anomaly detection?Īnomaly detection is the process of identifying any deviation from normal behavior. Anomalies could be a sudden spike in website traffic, a steep rise in application response time, or a slowed-down website connection. In terms of monitoring, an anomaly is a significant deviation from how a metric usually behaves or behaved in the past. Anomalies can occur in databases and servers. It is a data point that differs from other observations. Anomaly Detection FAQ What are anomalies?Īn anomaly is something that deviates from the norm. Unfortunately, that meaning turns into their nightmare when Frank discovers that the “Gods”, instead of sending them to a make-believe afterlife, actually cruelly prepare them in the most hideous of ways (microwave, boiling water, stabbing, etc) and eventually chomp down on them. In fact, all the voices are done very well and with some great comic zingers.ĭue to an outrageous mishap, Frank, Brenda and a few of the other food items, and a douche (yes, a douche) leave the sanctuary of their packaging and are left to find the meaning of their life, and reunite with their friends. It only becomes funnier when she encounters Salma Hayek as a lesbian taco. Kristen Wiig voices Brenda with a smarmy charm, and her timing and character is a lot of fun in the beginning. He has his mind on two things: being picked as a chosen one, and slipping into Brenda’s buns. We eventually focus on a package of hotdogs, one in particular, “Frank,” the voice of Seth Rogen. The party begins simply with a very amusing song about how all the food welcomes the shoppers, and how they hope to be picked as a chosen one. Mind you, this is all good timely social commentary but it easily gets steamrolled by the persistent raunch fest that Sausage Party is, yet the creators eventually have the last laugh on us with a very clever reveal. They also touch upon how we address each other with our strong beliefs, and how quick we are not to listen. While swirling the swill, the writers skewer religious beliefs with a clever nod as to how the food world at the local grocery store came about placing their Gods on a pedestal, and how much they look forward to their afterlife. Yes, it could be labeled that it is all in fun, and like the legendary Don Rickles, everybody is fodder that is part of this party. The writers try to cram in every single dirty joke they can come up with regarding food, sex and drugs while insulting women, the gay and lesbian community, the Middle Eastern community, religion, and every stereotype you could think of. Like some of its other predecessors, Heavy Metal (’81) and Hell and Back (2015), Sausage Party delivers some big laughs, but is unable to sustain interest for its nearly ninety minute running time. And that’s the problem with an adult animated film that nearly caters to the lowest common denominator. But when the shock value is over, does it bear repeat viewings? I’m just not sure. Whereas the Party peters out now and then, eventually making up for it all in an orgiastic display of food fetish fantasies played for laughs in the end. And though those particular films never had the guffaws that Sausage Party has, they did deliver a social commentary sting that endured long after viewing. I could not help but think back to the days of Ralph Bakshi’s breakthrough X-rated films Fritz the Cat and Heavy Traffic. The idea that the guys that gave us The Pineapple Express, Superbad and This is the End wanted to unveil their own brand of nasty Pixar for adults was very promising. When the trailer was finally revealed, it was probably one of the funniest and cleverest in a long while. Evan Goldberg, Seth Rogen and Jonah Hill have been talking up their Sausage Party for years, since the summer of 2010. |